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The Pictorial Key to the Tarot

A. E. Waite · 1910 · 30,127 words

Waite’s companion to the Rider–Waite–Smith deck: the history and symbolism of the Tarot, then each of the seventy-eight cards described in turn.

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Opening

Part I · § 1 The Veil and its Symbols — Introductory and General

The pathology of the poet says that "the undevout astronomer is mad"; the pathology of the very plain man says that genius is mad; and between these extremes, which stand for ten thousand analogous excesses, the sovereign reason takes the part of a moderator and does what it can. I do not think that there is a pathology of the occult dedications, but about their extravagances no one can question, and it is not less difficult than thankless to act as a moderator regarding them. Moreover, the pathology, if it existed, would probably be an empiricism rather than a diagnosis, and would offer no criterion. Now, occultism is not like mystic faculty, and it very seldom works in harmony either with business aptitude in the things of ordinary life or with a knowledge of the canons of evidence in its own sphere. I know that for the high art of ribaldry there are few things more dull than the criticism which maintains that a thesis is untrue, and cannot understand that it is decorative. I know also that after long dealing with doubtful doctrine or with difficult research it is always refreshing, in the domain of this art, to meet with what is obviously of fraud or at least of complete unreason. But the aspects of history, as seen through the lens of occultism, are not as a rule decorative, and have few gifts of refreshment to heal the lacerations which they inflict on the logical understanding. It almost requires a Frater Sapiens dominabitur astris in the Fellowship of the Rosy Cross to have the patience which is not lost amidst clouds of folly when the consideration of the Tarot is undertaken in accordance with the higher law of symbolism. The true Tarot is symbolism; it speaks no other language and offers no other signs. Given the inward meaning of its emblems, they do become a kind of alphabet which is capable of indefinite combinations and makes true sense in all. On the highest plane it offers a key to the Mysteries, in a manner which is not arbitrary and has not been read in, But the wrong symbolical stories have been told concerning it, and the wrong history has been given in every published work which so far has dealt with the subject. It has been intimated by two or three writers that, at least in respect of the meanings, this is unavoidably the case, because few are acquainted with them, while these few hold by transmission under pledges and cannot betray their trust. The suggestion is fantastic on the surface for there seems a certain anti-climax in the proposition that a particular interpretation of fortune-telling—l'art de tirer les cartes—can be reserved for Sons of the Doctrine. The fact remains, notwithstanding, that a Secret Tradition exists regarding the Tarot, and as there is always the possibility that some minor arcana of the Mysteries may be made public with a flourish of trumpets, it will be as well to go before the event and to warn those who are curious in such matters that any revelation will contain only a third part of the earth and sea and a third part of the stars of heaven in respect of the symbolism. This is for the simple reason that neither in root-matter nor in development has more been put into writing, so that much will remain to be said after any pretended unveiling. The guardians of certain temples of initiation who keep watch over mysteries of this order have therefore no cause for alarm.

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Contents

  1. Preface
  2. Part I · § 1 The Veil and its Symbols — Introductory and General
  3. Part I · § 2 Trumps Major — Otherwise, Greater Arcana
  4. Part I · § 3 The Four Suits — Otherwise, Lesser Arcana
  5. Part I · § 4 The Tarot in History
  6. Part II · § 1 The Doctrine Behind the Veil — The Tarot and Secret Tradition
  7. Part II · § 2 The Trumps Major: I. The Magician
  8. Part II · § 2 The Trumps Major: II. The High Priestess
  9. Part II · § 2 The Trumps Major: III. The Empress
  10. Part II · § 2 The Trumps Major: IV. The Emperor
  11. Part II · § 2 The Trumps Major: V. The Hierophant
  12. Part II · § 2 The Trumps Major: VI. The Lovers
  13. Part II · § 2 The Trumps Major: VII. The Chariot
  14. Part II · § 2 The Trumps Major: VIII. Strength, or Fortitude
  15. Part II · § 2 The Trumps Major: IX. The Hermit
  16. Part II · § 2 The Trumps Major: X. Wheel of Fortune
  17. Part II · § 2 The Trumps Major: XI. Justice
  18. Part II · § 2 The Trumps Major: XII. The Hanged Man
  19. Part II · § 2 The Trumps Major: XIII. Death
  20. Part II · § 2 The Trumps Major: XIV. Temperance
  21. Part II · § 2 The Trumps Major: XV. The Devil
  22. Part II · § 2 The Trumps Major: XVI. The Tower
  23. Part II · § 2 The Trumps Major: XVII. The Star
  24. Part II · § 2 The Trumps Major: XVIII. The Moon
  25. Part II · § 2 The Trumps Major: XIX. The Sun
  26. Part II · § 2 The Trumps Major: XX. The Last Judgment
  27. Part II · § 2 The Trumps Major: 0. The Fool
  28. Part II · § 2 The Trumps Major: XXI. The World
  29. Part II · § 3 Conclusion as to the Greater Keys
  30. Part III · § 1 The Outer Method of the Oracles — Distinction between the Greater and Lesser Arcana
  31. Part III · § 2 The Lesser Arcana
  32. Part III · The Lesser Arcana: Wands
  33. Part III · The Lesser Arcana: Cups
  34. Part III · The Lesser Arcana: Swords
  35. Part III · The Lesser Arcana: Pentacles
  36. Part III · § 3 The Greater Arcana and their Divinatory Meanings
  37. Part III · § 4 Some Additional Meanings of the Lesser Arcana
  38. Part III · § 5 The Recurrence of Cards in Dealing — In the Natural Position
  39. Part III · § 6 The Art of Tarot Divination
  40. Part III · § 7 An Ancient Celtic Method of Divination
  41. Part III · § 8 An Alternative Method of Reading the Tarot Cards — Notes on the Practice of Divination
  42. Part III · § 9 The Method of Reading by Means of Thirty-Five Cards

About this edition

Source: Internet Sacred Text Archive

Public domain: Public domain worldwide (published 1910; Waite died 1942).

What’s included: The full text of Parts I–III. The card illustrations and the bibliography are not included.

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